ギタリスト鈴木恵一

鈴木恵一

ミュージシャン、ギタリスト、ヒーリングソングライター。岩手県生まれ。１４歳よりギターを始める。地元で音楽活動をしていたが更なる可能性を見いだす為、１９９８年に上京。シンガーソングライターとしてソロ活動を開始する。同時に数々の不思議な体験や出会いを通じて独自のヒーリングミュージックの世界を追求。その傍らアーティスト・バンドのギターサポート、プロデュース（ＴＨＥ××ズ）、楽曲アレンジ・楽曲提供、音楽高校ギター講師などｅｔｃ。歌手・弘田三枝子氏に師事。２００４年３月に鄕田マモラ著「きらきらひかる２」の主人公ひかるちゃんの幼なじみ役で漫画の世界に登場するなど幅広い活動を展開。２００５年４月に全国書店にて発売した、海苔の山本山・醤油のキッコーマンなどの文字を手がけた書道家・安藤妍雪著「新しい始まりの為に今！」（今日の話題社）付属ＣＤの作曲を担当。ゲストミュージシャンにギタリスト五味孝氏（Ｔ−ＢＯＬＡＮ）氏をゲストに迎える。その間ソロ活動を一時休止していたのだが、２０１１年より本格的に活動を再開。日本だけにとどまらず、世界に発信するべく精力的に活動中。

Keiichi Suzuki

A guitarist and healing music writer, I was born and raised in Iwate prefecture in the northern part of Honshu Island. I began to play the guitar at 14 years old, doing music activities for a while in my Iwate hometown, but decided to go up to Tokyo in 1998 to find further possibility as a singer-songwriter. I have been since exploring the world of “healing music” through many personal mysterious experiences and encounters. Meanwhile, I have been supporting as a guitarist many bands, doing arrangement, writing songs for other singers, and teaching as a lecturer at a music high school. I studied under a 1960s legendary Japanese singer and performer Mieko Hirota. The wide range of my performing activities include not only those of music but also an Manga appearance as a character in a comic Kira Kira Hikaru 2, the role of a childhood friend of the comic’s protagonist Hikaru’s in March, 2004. I also composed music to be included in a book publication For A New Awakening! by a renowned Japanese calligrapher Kensetsu Ando, who wrote the logo-mark letters for “Kikkoman” soy sauce or “Yamamoto-Yama” seaweed, two of the most famous brands for those two just as most famous Japanese staple foods. The book was released at bookstores nationwide in April, 2005. The CDD composition process included inviting a wild guitarist Takashi Gomi (T – BOLAN). Although temporarily suspending solo activity while doing those things, I resumed playing and organizing music in earnest at 2011.Now, I am very actively creating music with an eye directed toward not only the Japanese music scene but also the world at large.